A Handful of Announcements

Life is rife with novel deadlines and other projects, but today, I have some exciting announcements to share with you readers!

First off, an upcoming publication! “Warp Gate Concerto,” that space fantasy novella I wrote for NineStar Press’s LOST collection, has officially been accepted! That’s right: the polyamorous, alien space pirates will soon be here for everyone to read about. I hope you all have as much fun reading it as I did writing it~

Second: In a week and a half, I shall be in Spokane, Washington for SpoCon! Not only will I have copies of Bones and Bourbon with me to sell and sign, but I’ll also be speaking on panels, ranging on every topic from weird creatures to running tabletop RPGs. Check out the full itinerary here!

Finally, there are some upcoming changes in regards to this blog. I’ve been thinking about restructuring it for some time, so after some thought (and a twitter poll), I have plans to turn this blog into a new project: a webcomic about writing!

Worry not: there will still be announcements on new projects, rambles about worldbuilding, and even some more advice on writing in general. There will just also be an artistic component, in the style of a newspaper strip where I, my various fictional characters, and even a few non-fictional people and cats, explore the trials of tribulations of writing.

Having attempted webcomics before, I know better than to start posting comics as soon as I finish drawing them, however. I’m going to build up a backlog first, which should also give me time to settle on a format and style. (And maybe even some actual punchlines.) Between that and trying to hit the tentative deadline for the current draft of “Corpses and Cognac,” the sequel to Bones and Bourbon, this blog may be sparsely updated for awhile. But when it begins again, it shall be stronger! Artsier! Maybe even updated multiple times a week with new comics! We’ll see how it all turns out.

In the meantime, keep busy and creative, dear readers.

~Dorian

To First Drafts and Beyond!

First, a victory announcement: I just finished the first draft of my novella for NineStar Press’ “Lost” collection! It has polyamorous alien space pirates versus mad scientists and totally-not-dinosaurs! During at least the last five thousand words of the book, I listened to nothing but Meat Loaf’s discography, and everything is glorious!

The novella also ended up clocking in at almost 35,000 words; the collection requires between 30k and 120k, but I erred on the shorter side so I’ll have plenty of time to edit before the April 30th deadline. This was a new challenge for me, since I usually either write novels that are over a hundred thousand words, or short stories that tend to be under ten thousand. Thus, today I’m going to discuss the process of creating this novella, and how it differed from my usual methods (and what tended to be par for the course.)

First, I had to settle on an idea and an overarching plot in the first place. Other than the length, the only requirements were that characters were somehow lost, and that LGBTQIA+ romance be incorporated into the story. As I mentioned in the Valentine’s blog post, I’m not as inclined toward writing romance outside of pre-established relationships, so I bounced around a couple different ideas; a superhero and supervillain who get lost together and team up to escape while falling for each other, a demon trying to help a failed cultist after a ritual goes wrong, etc. But the idea I kept coming back to was an old sci-fi staple; getting lost on an alien planet. I already had a story in mind for a space fantasy setting, but with a long plot and an entire spaceship crew’s worth of characters, I figured it’d be too bloated to cram into a novella.

What I COULD do, however, was write a prequel in the same universe. And I already had a relationship set up to explore; one protagonist’s parents, a polyamourous quartet of space sirens (the Psyrens discussed over here) who were feared and revered pirates before being scattered across the galaxy. Of course I could have these pirates crash onto a bizarre alien planet, and what could be more romantic than four alien pirates who are all in love with each other? I busied myself with plans for what alien planets would be most interesting for these pirates to get lost in—and how to make sure my plots didn’t replicate pre-existing Star Trek episodes (thanks Mom!)

Next came the outline, a process I rigidly cling to even though I always deviate from the outline halfway through like a swiftly-derailing train. I’d already settled on having two protagonists, separating the pirates so they had to find each other and a way to escape, so I had to create two storylines that would meet at the beginning and end, and figure out how to have them mirror each other. It sounds like a complicated juggling act, but thankfully writing the “Deadly Drinks” series, which alternates between the Gallows brothers’ POVs, prepared me for doing it on a smaller scale. The main difference between outlining the two was that I didn’t mark when I would switch protagonists; I rigidly stick to chapter length and alternating in “Deadly Drinks,” but I elected to be looser about scene length and when POV switches happen in this piece.

Then comes perhaps the most necessary part of my process: writing and deleting a series of false starts. I’m not the sort who can actually write scenes out of order, and it often takes me a bit to set my train of plot on the outline track, so to speak. For this novella, the false starts led to an entirely new outline; where I’d originally planned to touch on the quartet early in their pirate days, I decided to go earlier and strengthen the romance aspect by having the story be about how three of the pirates find the fourth member of their spacefaring quartet. All I had to do was answer all the questions this brought up—why wasn’t their fourth member on their alien homeworld, how do the pirates reunite, how can they escape afterwards—and the plot practically wrote itself from there.

I had also originally planned to maroon my dear pirates on a frozen planet with a blood red sun (requiring characters to snuggle for warmth, which is the height of romance in the elements, right?) and hidden underground tunnels where most of the fauna actually survived to avoid all the snow. But between images of classic sci-fi art and a few hours of wandering through “No Man’s Sky,” I decided I wanted to explore the terrors of an alien jungle instead. I decided to keep the expansive network of underground tunnels, but what would the tunnel-dwellers be hiding from? Giant, hungry megafauna, of course. (Perhaps I’ve been playing too much Magic the Gathering, with the recent cards involving Pirates versus Dinosaurs…) And then what if there was intelligent life hiding in those tunnels, unnoticed by spacefarers overhead because the signals were blocked by being underground? That means a chance to introduce *more weird aliens!*

See, that’s perhaps the most important part of writing: there has to be something enjoyable about it. We authors joke about how much writing and editing equals suffering, but if you don’t enjoy the story or its purpose, then what’s the point? Even if they don’t all make it into the final draft, I always make sure I have a few key concepts or scenes in my stories that I want to explore, like a cool fight or examining the details of a magic system. Or, in this case, designing weird aliens who are relatable and “human”, even if they grow mouths instead of scar tissue and can control others with their singing. Yes folks, Psyrens are bizarre, even when they aren’t pirates.

While I had challenges writing my first novella, figuring out issues like pacing and how much information to include or discard, it was also a lot of fun. More room than a short story to add plots, sub-plots, and extra character development, but without the time investment needed for a full novel. Plus, I’m literally writing a classic sci-fi adventure and all the ridiculous twists that entails, but with polyamorous alien pirates. What’s not to love?

I’m taking a few days off from it to celebrate its completion (returning to a for-fun project instead to keep my writing chops up), and then I’ll go back into editing with a clear head. Should all go well, it’ll be ready by the April 30th deadline, and will hopefully release with the rest of the “Lost” collection. We’ll see soon enough~

~Dorian

Cut and Drive

I just returned from a brief trip to California for a memorial service (a sad occasion, but a lovely time was had), and as is tradition in our family, we drove all the way down (and back) in one 9-10 hour stretch, with only two pit-stops in between. We’re militantly tough drivers, partially because we don’t mind being alone with the scenery and a case full of classic rock CDs. Some of my best brainstorming comes from letting my mind wander during these trips.

As I remembered this trip, sometimes building also means destruction. This is true in fiction more than anywhere else.

Much as we want to keep every great idea we scribble in our notebooks, the truth is, we can’t hold onto them all. Too much of anything, be it plot threads or characters, and the story gets weighed down. Some authors can go on for a few hundred thousand words longer than the rest of us, but I’m sure even George R.R. Martin has had to cut content from the Game of Thrones series. Even outside of books, there’s a reason that extended cuts and b-sides exist, but aren’t kept in the core content.

I found myself doing a lot of story trimming this weekend. One task was simpler, streamlining a novella I’m working on for NineStar Press’ LOST collection. I cut out a couple characters (I have a great fear of bogging down a story with too many characters, after my first NaNoWriMo attempt landed me with a novel of 16+ characters in 50,000 words) and rearranged relationships around, which on paper sounds like no huge deal. And really, it isn’t. I have to scrap the opening to the novella again, but elements of those first attempts can still be recycled. If nothing else, I learned more about the world and the people within it, so the demolished wordcount at least lead to some worldbuilding. Like tearing off a bandaid, it stings a bit, but the pain passes soon enough to forget.

Then there’s the hard cut: I scrapped an entire book.

This isn’t the first time I’ve done so for the Deadly Drinks series; the first draft of “Bones and Bourbon” was similar only in name and protagonist to the novel releasing next April, and its in-progress sequel had so many restarts before I finally finished the first draft. I’m lucky in that I hadn’t started book four (seeing as book three isn’t even done yet), but even though words hadn’t hit the page yet, tossing it still hurt. Why was this?

Because it had so much I WANTED. The magical world intruding on the mundane. Playing with Frankenstein’s Creation (I refuse to call him a monster–or, stars forbid, Frank). Secret societies! Magical cyborgs! Ghost-powered transportation through other dimensions!

But from the time I revved up the engine and rolled out of the parking lot with Santana tunes blaring from the speakers, I knew it didn’t fit. When writing a series, one has to consider not just developing plot and character across one book, but over the series as a whole, and this book didn’t fit the direction the series needed to grow in. Such a fantastical tale would raise the stakes for the entire setting too much for a mid-series book, and the Gallows brothers were taking the back seat to all the cool elements I wanted to include.

So I let it go. I burned the images in my head and picked a few pieces out of the ashes that I did need for what book 4 will become. The rest of it gets tucked away to percolate in the back-burners of my mind, likely emerging on another long road trip as a new story all its own. I collected sights and snippets of songs to inspire a story that’ll fit better with my narrative arc, and if I’m lucky, I might still be able to sneak some interdimensional ghosts in there. (But first, we finish book three, edit book two, publish book one. I like to work well ahead of schedule.)

It’s a matter of weighing what we want to write with what the story needs. Let your mind wander, but know when to reel it in when it drifts too far.

Now that I’ve spent so much time cutting content, it’s time I got back to work creating again.

~Dorian

PS: Speaking of road trips, I did sneak a couple of my favorite details along I-5 in “Bones and Bourbon.” I also refrained from making any jokes about the State of Jefferson, but I can make no promises for the finished product…